Riot Fest 2025

Some highlights from this year’s Riot Fest. This one felt really special. I saw a couple reunions I’ve been dreaming of (Rilo Kiley, Texas Is the Reason), screamed my voice out at my 31st Wonder Years show, and so much more. I sang “Lord, to be 33 forever” along with The Hold Steady and was so genuinely inspired and reminded that I can still make cool art as I get older. I got to see Harrison Gordon — kids who used to open for my bands — up on the main stage shouting out “fucking Normal, Illinois” and felt so proud of the lineage of DIY in my hometown. Even though the crowd and schedule delays messed up some plans (I will catch Weird Al next time, I swear), it was an experience I won’t forget. Shout out to the friends who hung out with me all weekend and the ones I didn’t run into. I’m already looking forward to next year.

The Wonder Years at Warped Tour 2025

“They gave me a stage and a microphone. They put it on Amazon Prime. So before we get out of here I gotta say three things: I gotta say protect trans youth. I gotta say fuck ICE. And with my whole fucking chest, I gotta say free Palestine!”

I nearly teared up watching this. It was Father’s Day, and I was holding Lily. To see my favorite band on the biggest stage in the scene, shouting out their kids and then shouting loud about the most important issues of the day, it meant something. It meant there are other people out there who want to make a better world for ourselves and for our neighbors and for the next generation. Sometimes I need that reminder.

“I’m gonna go, start to dig, plant a seed, keep the birds away. I’m gonna grow you a place safer than this.”

Pelafina – “Milestone” (2024 Mix)


If you’re an avid reader of the credits section on Bandcamp (or this blog), you probably know that I have produced and mixed almost everything Pelafina has ever released (with the exception of Familiar Places — all credit goes to Nick Stetina for that one). In a way, our discography is a living diary of me learning how to do this stuff. I’m also an inveterate tinkerer who isn’t ever really happy with anything I make. Nothing is ever done, only released, and occasionally something we released nags at me enough to take another shot at it. A couple months ago, I did a new mix of “Milestone,” our single from last year. We quietly snuck it out there this week (replacing the old one, George Lucas-style), so check it out to hear what we think is a much better version of this song.

This Page Intentionally Left Blank – Rebuilding Year

Trying something new. Drums by Matt Kistler. Everything else by me.

This Page Intentionally Left Blank. Rebuilding Year.

Stream/download/tapes on Bandcamp.

This EP is mostly about things that happened a decade ago, and I felt a decade younger making it. We DIY’d everything: Recording it in my basement, dubbing tapes on my old tape deck, printing and cutting and numbering the J-cards ourselves. I tried to do something without expectations, without listening to nagging voice in my head telling me that I shouldn’t or couldn’t make something that was just for me. Thanks to Matt for helping me realize it, and thank you for listening.

On Modus Aurora and Ten Years of The Ghosts Inside of Us

Ten years ago this weekend, Modus Aurora released The Ghosts Inside of Us, our only full-length album and, in a way, my college thesis.

My high school band didn’t survive the senior summer and my high school relationship didn’t last much longer, so I was a little directionless when John and I started trading song ideas in the lounge at Munsell Hall. He was into U2 and played like The Edge, and I envisioned a soaring indie rock band with shimmering guitars and huge choruses, something bigger than any band I had played in before. We were fast friends and good collaborators, and when it felt like it was working, we recruited Katie and Cale to fill out the lineup. Through 2011 and 2012, we released a self-titled EP and a couple demos.

We also played a lot, mostly with bands that sounded nothing like us. Basement shows with punk bands, coffee shops with hardcore bands, school events with cover bands. We got to open for some of our heroes (Spitalfield, The Forecast, State Lines, The Front Bottoms, Real Friends) and made lifelong friends in that mismatched local scene.

There wasn’t really a specific starting point for The Ghosts Inside of Us. Some of the songs had been kicking around for a while, and some were written late in the process. I think we recorded it from late 2012 through mid-2013, but I don’t know for sure. I strangely have very few specific memories of making the album. Since the “studio” was just my parents’ house, where we hung out and practiced and did laundry most weekends anyway, it all kind of blends together.

When it came time for mixing and mastering, we reached out to Matt Kennedy. He had played guitar in The Graduate, the greatest band to ever come out of central Illinois and probably the only band that the four us universally agreed on.

We celebrated the album release with a huge free show at Firehouse with all of our friends. I played three sets in a row (the first Troyathalon?). It wasn’t exactly a triumph — John’s amp blew a fuse and we played pretty badly. My most vivid memory of the night is waving to Liesi from the stage. We didn’t know each other well yet, but I was so excited she was there. Ten years later, that certainly worked out.

The writing was probably on the wall for the band at that point. When we finally released The Ghosts Inside of Us, John and I were in our last semester of college. Katie was already living in Chicago, and I was making plans to move there. John was headed to Florida. Cale had two more years of school left. We only played one more show and recorded two more songs, which were probably our best work. Seems like it always happens that way — not with a bang but with a whimper.

So much of my time in college is wrapped up in this band and this album. The friends I still see and the ones I haven’t talked to since graduation. The songs written in dorm rooms on yard sale guitars that wouldn’t stay in tune. The shows, whether in basements or on big stages. The time spent trying to get people to listen and to care as much as I did about the music. I don’t regret a second of it.

If you were there, thank you for being a part of it all. If you want to listen, all of our music is up on Bandcamp and the various streaming services. I’m sure I still have a box of the CDs somewhere.

“Who am I without the lie of who I want to be?”