On Modus Aurora and Ten Years of The Ghosts Inside of Us

Ten years ago this weekend, Modus Aurora released The Ghosts Inside of Us, our only full-length album and, in a way, my college thesis.

My high school band didn’t survive the senior summer and my high school relationship didn’t last much longer, so I was a little directionless when John and I started trading song ideas in the lounge at Munsell Hall. He was into U2 and played like The Edge, and I envisioned a soaring indie rock band with shimmering guitars and huge choruses, something bigger than any band I had played in before. We were fast friends and good collaborators, and when it felt like it was working, we recruited Katie and Cale to fill out the lineup. Through 2011 and 2012, we released a self-titled EP and a couple demos.

We also played a lot, mostly with bands that sounded nothing like us. Basement shows with punk bands, coffee shops with hardcore bands, school events with cover bands. We got to open for some of our heroes (Spitalfield, The Forecast, State Lines, The Front Bottoms, Real Friends) and made lifelong friends in that mismatched local scene.

There wasn’t really a specific starting point for The Ghosts Inside of Us. Some of the songs had been kicking around for a while, and some were written late in the process. I think we recorded it from late 2012 through mid-2013, but I don’t know for sure. I strangely have very few specific memories of making the album. Since the “studio” was just my parents’ house, where we hung out and practiced and did laundry most weekends anyway, it all kind of blends together.

When it came time for mixing and mastering, we reached out to Matt Kennedy. He had played guitar in The Graduate, the greatest band to ever come out of central Illinois and probably the only band that the four us universally agreed on.

We celebrated the album release with a huge free show at Firehouse with all of our friends. I played three sets in a row (the first Troyathalon?). It wasn’t exactly a triumph — John’s amp blew a fuse and we played pretty badly. My most vivid memory of the night is waving to Liesi from the stage. We didn’t know each other well yet, but I was so excited she was there. Ten years later, that certainly worked out.

The writing was probably on the wall for the band at that point. When we finally released The Ghosts Inside of Us, John and I were in our last semester of college. Katie was already living in Chicago, and I was making plans to move there. John was headed to Florida. Cale had two more years of school left. We only played one more show and recorded two more songs, which were probably our best work. Seems like it always happens that way — not with a bang but with a whimper.

So much of my time in college is wrapped up in this band and this album. The friends I still see and the ones I haven’t talked to since graduation. The songs written in dorm rooms on yard sale guitars that wouldn’t stay in tune. The shows, whether in basements or on big stages. The time spent trying to get people to listen and to care as much as I did about the music. I don’t regret a second of it.

If you were there, thank you for being a part of it all. If you want to listen, all of our music is up on Bandcamp and the various streaming services. I’m sure I still have a box of the CDs somewhere.

“Who am I without the lie of who I want to be?”

Let the Noise of the Feedback Start To Rise: 2023 In Review

Introduction

“Some days there’s just so much to marvel at, and some days you’re at the bottom of a pit.”

This was a year that fit that Spanish Love Songs lyric a little too well, a year where I felt the highs and the lows more acutely than ever. There were the panic attacks and the days I felt like I couldn’t get out of bed, the satisfaction of finally releasing a new album and the thrill of playing it live to a packed Gman Tavern, the whirlwind of Elliot’s birth and figuring out the basics of being a parent, the utter exhaustion of those first few months, and the unquantifiable joy of his first smiles.

It’s been a lot, but I am so lucky and I don’t want to lose sight of that.

Stuff I Made This Year

Music

My year on Last.fm. It’s been really cool to follow Spanish Love Songs over the past six years as they’ve shed the trappings of pop punk a little bit more on each album. This is the third time they’ve topped my year end list, and I think No Joy is their best work yet.

As usual, the ranking of the rest of the list is just what I’m feeling today. I recommend all of these, from the relative newcomers (Awakebutstillinbed, OrigamI Angel) to reunited old favorites. For a long time, I didn’t think we’d ever get new music from The Gaslight Anthem, Fall Out Boy, or Yellowcard, three bands that fundamentally shaped my tastes as a teenager. All three are back, seemingly more excited than ever.

On the EP side, John K. Samson released new music under name Vivat Virtute, so no one else really had a chance at my number one spot there. Even if there’s never a Weakerthans reunion, I hope he continues making these perfect little snapshots of local politics and cats forever.

I also made a Spotify playlist with my favorite songs from each of these releases, plus a handful of other singles.

Albums

  1. Spanish Love Songs – No Joy
  2. The Gaslight Anthem – History Books
  3. The Menzingers – Some of It Was True
  4. Olivia Rodrigo – Guts
  5. Fall Out Boy – So Much (For) Stardust
  6. Jason Isbell and the 400 Unit – Weathervanes
  7. Awakebutstillinbed – Chaos Takes the Wheel and I Am a Passenger
  8. The National – First Two Pages of Frankenstein
  9. Hot Mulligan – Why Would I Watch
  10. Foo Fighters – But Here We Are
  11. Blink-182 – One More Time…
  12. Fireworks – Higher Lonely Power
  13. Ruston Kelly – The Weakness
  14. The Mountain Goats – Jenny From Thebes
  15. Origami Angel – The Brightest Days
  16. Dave Hause – Drive It Like It’s Stolen
  17. Citizen – Calling the Dogs
  18. Paramore – This Is Why
  19. There Will Be Fireworks – Summer Moon
  20. The Maine – The Maine

EPs

  1. Vivat Virtute – June First
  2. Yellowcard – Childhood Eyes
  3. Adjy – June Songs, Vol 1
  4. Boygenius – The Rest
  5. The Flips – A Drug To the Dour

Live Shows

I played or attended 26 shows this year. My days of getting to 80 or more are probably behind me, but I can live with that if the shows I do see are as special as these. Liesi and I saw The Wonder Years together in March and got to hear most of our favorite songs from The Hum Goes On Forever, a record largely about becoming a parent that has, unsurprisingly, meant a lot to us this year. Then I saw them again in October playing all of The Greatest Generation. I lost my voice screaming along to “I Just Want To Sell Out My Funeral” with old friends and new.

  1. The Wonder Years – 10/8 at Riviera
  2. Bleachers – 12/7 at Aragon Ballroom
  3. Bruce Springsteen and the E Street Band – 8/9 at Wrigley Field
  4. The Wonder Years – 3/16 at Concord Music Hall
  5. City Mouth – 11/22 at Beat Kitchen

Movies

My year on Letterboxd. I’ve seen 42 movies from this year. I didn’t get to the theater much, especially after Elliot was born, so I missed out on the full Barbenheimer experience. There’s a lot I still want to see, but I think this was a really solid year for movies.

  1. Killers of the Flower Moon
  2. Spider-Man: Across the Spider-Verse
  3. Past Lives
  4. Oppenheimer
  5. Barbie
  6. May December
  7. The Killer
  8. Infinity Pool
  9. Asteroid City
  10. Beau Is Afraid

TV

My year on Trakt. This was feeling like a bit of a slow TV year until November, when there was a deluge of new shows and new seasons. Some of these are still ongoing as of this writing, but I’ve seen enough to feel like I can rank them, and certainly enough to recommend them. Same caveat as with movies: There’s a bunch of stuff I haven’t seen yet (namely the Doctor Who specials) that could easily make this list if I re-do it in a few months.

  1. The Bear (Season 2)
  2. The Last of Us (Season 1)
  3. Poker Face (Season 1)
  4. Slow Horses (Season 3)
  5. Succession (Season 4)
  6. For All Mankind (Season 4)
  7. Fargo (Season 5)
  8. Mrs. Davis (Season 1)
  9. Ted Lasso (Season 3)
  10. Barry (Season 4)

Books

My year on Goodreads. I read 27 books this year (only one actually released in 2023), and these were my favorites. Pale Fire was a recommendation from a friend, and aside from being a masterwork of language, it was neat to read as an influence on House of Leaves (and to find all the lyrics The Menzingers have lifted from it).

  1. Pale Fire by Vladimir Nabokov
  2. The Passenger / Stella Maris by Cormac McCarthy
  3. The Chosen by Chaim Potok
  4. The Nickel Boys by Colson Whitehead
  5. The Blind Assassin by Margaret Atwood

A Blind Contour Drawing of the Future: 2022 In Review

What does it mean to grow when the world around you is falling apart? I think that’s the central question of Dent, the fifth album from Signals Midwest and my most-played album of the year by a wide margin. It’s a question I’ve asked myself a lot over the past couple years, years that have been largely soundtracked by the last two Signals Midwest releases (Dent and their 2019 EP Pin) and vocalist Maxwell Stern’s 2020 masterpiece, Impossible Sum. To me, at least, Dent is an album about processing all the distance and unrest and darkness of the pandemic years and starting come out on the other side with a sense of clear-eyed optimism.

This year didn’t start with a lot of optimism. The first few months were spent in the throes of the biggest Covid wave yet, and capped by getting Covid myself in March and missing a tour I had planned to go on and yet another chance to see Converge. Thankfully, things were mostly up from there. Liesi and I went on a couple of wonderful vacations, to New York and Europe. I played shows with Pelafina, The Long Way Home, Better Love, and Thomas Nicholas, and I went to tons more. I caught another Yankees game (although not in New York).

For me, the most striking moments of Dent are when joy bursts through the darkness. Sometimes that’s right in the lyrics, on “Gold In the Grey” or in the bridge of “It Left a Dent” (my favorite track on the album):

So if there is a light, turn towards it
I want to get a better look at you
I’ve been digging through a dead year’s worth of darkness just to find it
Finding all the good inside it

And sometimes it’s in the harmonized guitar leads in “Tommy Took a Picture” or the layered backing vocals of “All Good Things.” And sometimes it’s just in the memory of screaming the ending of “Love and Commerce” at Subterranean over the summer.

The pandemic is still going, there were political setbacks that I don’t need to recount, and I spent far too much time thinking about a dumb billionaire, but this was a year of trying to find those moments of joy in my own life, even though I know they always exist against background of world that isn’t doing great. That’s the essence of Dent for me. I’m so glad it was the soundtrack to this year.

Looking forward to 2023, there’s a new Long Way Home album coming (I promise for real this time, he says for the third year running). I spent most of my creative time and effort this year recording and mixing it, and I’m really happy with how it turned out.

And, of course, some very exciting personal news.

Stuff I Made This Year

Music – Albums

I got back into using Last.fm this year. Unfortunately I couldn’t get all my old data back, but here are my stats from 2022. I’m less attached to the ranking of this list than I have been in the past. After the top four, the rest of these could be in pretty much any order, and I think they’re all really great.

  1. Signals Midwest – Dent
  2. The Wonder Years – The Hum Goes On Forever
  3. Gang of Youths – Angel In Realtime
  4. Arm’s Length – Never Before Seen, Never Again Found
  5. The 1975 – Being Funny In a Foreign Language
  6. Death Cab For Cutie – Asphalt Meadows
  7. Coheed and Cambria – Vaxis II: A Window of the Waking Mind
  8. The Tisburys – Exile On Main Street
  9. Timeshares – Limb
  10. Spoon – Lucifer On the Sofa
  11. Pool Kids – Pool Kids
  12. Caracara – New Preoccupations
  13. Gregor Barnett – Don’t Go Throwing Roses In My Grave
  14. Mt. Oriander – Then the Lightness Leaves and I Become Heavy Again
  15. Dan Andriano and the Bygones – Dear Darkness
  16. The Mountain Goats – Bleed Out
  17. Pale Waves – Unwanted
  18. LS Dunes – Past Lives
  19. Future Teens – Self Help
  20. Craig Finn – A Legacy of Rentals

Music – EPs

  1. Rise Against – Nowhere Generation II
  2. Bright Eyes – Companion EPs
  3. Better Love – I Wasn’t Ready Then, But I Think I Am Now
  4. Bottom Bracket – A Figure In Armor
  5. Tigers Jaw – Old Clothes

Live Shows

I went to or played 41 shows this year. These were my favorites, sometimes for the setlist or the sound, sometimes for the people I went with, but always for the joy I still find in a room or a field full of music.

  1. The Wonder Years – 3/5 at Concord Music Hall (The Upsides / Suburbia Tour)
  2. Signals Midwest – 7/21 at Subterranean
  3. The 1975 – 12/9 at Aragon Ballroom
  4. My Chemical Romance / Bleachers / The Wonder Years – 9/16 at Riot Fest
  5. The Get Up Kids – 9/17 at Riot Fest

Movies

According to my Letterboxd, I watched 61 movies released this year, and there are still a handful I want to see, so I might stealthily edit this part over the next couple weeks.

  1. The Fabelmans
  2. Everything Everywhere All At Once
  3. Glass Onion
  4. Nope
  5. The Banshees of Inisherin
  6. Top Gun: Maverick
  7. Avatar: The Way of Water
  8. The Menu
  9. Barbarian
  10. Prey

TV

My Trakt Year In Review. This was such a good TV year that, maybe for the first time, this top ten list was the hardest one to make.

  1. Station Eleven
  2. The Bear (Season 1)
  3. We Own This City
  4. Andor (Season 1)
  5. Severance (Season 1)
  6. Atlanta (Seasons 3 and 4)
  7. For All Mankind (Season 3)
  8. Slow Horses (Seasons 1 and 2)
  9. Better Call Saul (Season 6)
  10. House of the Dragon (Season 1)

Books

I read 35 books this year, and these were my favorites. As usual, I only read a couple 2022 releases, so this includes anything I read for the first time in the past year.

  1. Harlem Shuffle by Colson Whitehead
  2. Devil House by John Darnielle
  3. All Quiet On the Western Front by Erich Maria Remarque
  4. Sellout by Dan Ozzi
  5. The Sparrow by Mary Doria Russell

That’s all for now. See you next year.

“Make me a blind contour drawing of the future, capturing the form in all its grace, flaws, ritual, and promise.”

The Getting By That Gets Right Underneath You: 2021 In Review

Introduction

This year may as well have started on March 30th when I drove to Pontiac to get my first vaccine dose. Everything before that (and, to be honest, a lot after that) just feels like endless extra innings of 2020. The year also kind of feels like it ended after Thanksgiving with the spread of the Omicron variant and another round of uncertainty, caution, and fear. I’m trying hard to push back against the tidal wave of “everything is terrible” and focus on the best moments. I felt utterly alive and in the moment on stage at Nightshop in July when Pelafina played our first show back. I went to Riot Fest in September and hugged friends I hadn’t seen in two years. I turned 30 in October. I was able to celebrate the holidays with families that are happy and healthy.

Music I Worked On This Year

It’s been tough getting back into the rhythm of writing, recording, and releasing new music, so this section is pretty short this time. Lots more in the works for 2022 though, including a new Pelafina single very early in the year.

My Favorite Albums of 2021

I had a harder time than usual making this list. There was no runaway favorite album, no artist that completely dominated my listening (besides maybe Taylor Swift, but I’m deeming Red (Taylor’s Version) ineligible for this list), but what I ended up with actually feels like a good summary of my listening habits this year.

I did less digging and discovering than usual. There are only a few debut albums on this list, and one of them was of course the most ubiquitous and inescapable release of the year. I was delighted to see some left turns and exciting, vibrant work from established band eight or nine albums deep in their careers.

I also put together a Spotify playlist with my favorite songs from each of these releases, as well as a bunch of singles and tracks from other albums that didn’t quite make a the cut.

  1. The Killers – Pressure Machine
  2. Olivia Rodrigo – Sour
  3. You, Me, and Everyone We Know – Something Heavy
  4. Adjy – The Idyll Opus (I-VI)
  5. The World Is a Beautiful Place and I Am No Longer Afraid To Die – Illusory Walls
  6. Noah Gundersen – A Pillar of Salt
  7. Telethon – Swim Out Past the Breakers
  8. Dan Campbell – Other People’s Lives
  9. Every Time I Die – Radical
  10. Bleachers – Take the Sadness Out of Saturday Night
  11. Dave Hause – Blood Harmony
  12. Julien Baker – Little Oblivions
  13. Japanese Breakfast – Jubilee
  14. Origami Angel – Gami Gang
  15. The Wallflowers – Exit Wounds
  16. The Hold Steady – Open Door Policy
  17. Porter Robinson – Nurture
  18. Monobody – Comma
  19. The Dirty Nil – Fuck Art
  20. Parting – Unmake Me

A few EPs I loved:

  • Future Teens – Deliberately Alive
  • Counting Crows – Butter Miracle: Suite One
  • Camp Trash – Downtiming
  • Brett Conlin and the Midnight Miles – Brett Conlin and the Midnight Miles

My Favorite Live Shows of 2021

I played or went to 31 shows this year, and nearly every one felt like a celebration of live music, of how lucky we are be able to share art and community again after the past two years. It may have been a short-lived celebration, with case numbers rising again and tours for next year already getting canceled, but I’m hoping for the best.

  1. Titus Andronicus – 11/12 at Subterranean
  2. Spanish Love Songs – 9/3 at Beat Kitchen
  3. The Mountain Goats – 8/24 at Space
  4. The Killers – 12/7 at Aragon Ballroom
  5. Signals Midwest – 12/17 at Burlington

My Favorite Movies of 2021

All the usual caveats about not yet having the chance to see all of the new releases aside, I don’t see anything topping Dune as my favorite movie of the year. It’s a true accomplishment of science fiction filmmaking.

  1. Dune
  2. Inside
  3. The Last Duel
  4. The Power of the Dog
  5. King Richard
  6. Judas and the Black Messiah
  7. No Time To Die
  8. No Sudden Move
  9. Summer of Soul
  10. Luca

My Favorite TV Shows of 2021

It sure feels like I watched less TV this year than I have in the decade and change since I discovered Dexter (and binge-watching) during finals week of my freshman year of college. Maybe it was a slight shift in entertainment priorities. Maybe it was due to most of my reliable favorites taking the year off. Regardless, what I did watch was really great.

  1. Midnight Mass
  2. Succession (Season 3)
  3. Squid Game (Season 1)
  4. What We Do In the Shadows (Season 3)
  5. Loki (Season 1)

Honorable Mention (only because the entire season hasn’t aired yet): Station Eleven

My Favorite Books of 2021

I hardly ever end up with new releases among my favorite books list at the end of a year. My book backlog is so long that only new releases from my favorite authors jump to the top. However, I set a goal in 2021 to read more non-fiction and ended up reading more new books than usual as a result. These were my favorite reads of the year, in no particular order and not limited to new releases.

  • Punks In Peoria: Making a Scene In the American Heartland by Jonathan Wright and Dawson Barrett
  • Crying In H Mart by Michelle Zauner
  • The Rest Is Noise by Alex Ross
  • Killers of the Flower Moon: Listening To the Twentieth Century by David Grann
  • Lolita by Vladimir Nabokov
  • Caste: The Origins of Our Discontents by Isabel Wilkerson

Next Year

  • A new Long Way Home album (I swear it’s actually happening this time)
  • A new Pelafina song in January and hopefully another release later in the year